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As a series of musical vignettes, each track stands up well on its own

3,5 Stars for 3'Ain's first EP from Gareth Thomas in the British Jazz Journal! "The absence of drums contributes to a music that is open and uncluttered, allowing the listener to really appreciate the interplay and musical dialogue between Martini and Maris. But where some rhythmic backbone is required, Otto Kint steps in with his double bass, as in the percussive opening to Njord Puffin. As an album 3’Ain is let down slightly by its lack of cohesion. Tracks end rather abruptly which can spoil the flow of the overall album ... However, as a series of musical vignettes, each track stands up well on its own." But isn't that exactly what EP's are for? :) Read the full review on jazzjournal.co.uk

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As a series of musical vignettes, each track stands up well on its own

3,5 Stars for 3'Ain's first EP from Gareth Thomas in the British Jazz Journal! "The absence of drums contributes to a music that is open and uncluttered, allowing the listener to really appreciate the interplay and musical dialogue between Martini and Maris. But where some rhythmic backbone is required, Otto Kint steps in with his double bass, as in the percussive opening to Njord Puffin. As an album 3’Ain is let down slightly by its lack of cohesion. Tracks end rather abruptly which can spoil the flow of the overall album ... However, as a series of musical vignettes, each track stands up well on its own." But isn't that exactly what EP's are for? :) Read the full review on jazzjournal.co.uk

View this news item
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As a series of musical vignettes, each track stands up well on its own

3,5 Stars for 3'Ain's first EP from Gareth Thomas in the British Jazz Journal! "The absence of drums contributes to a music that is open and uncluttered, allowing the listener to really appreciate the interplay and musical dialogue between Martini and Maris. But where some rhythmic backbone is required, Otto Kint steps in with his double bass, as in the percussive opening to Njord Puffin. As an album 3’Ain is let down slightly by its lack of cohesion. Tracks end rather abruptly which can spoil the flow of the overall album ... However, as a series of musical vignettes, each track stands up well on its own." But isn't that exactly what EP's are for? :) Read the full review on jazzjournal.co.uk

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"There’s an out-of-reach and enigmatic quality to Sea of Stories which keeps you drawing back into its music. A dream-like visual sensibility and the warmth of its harmonies give the music a physicality which virtually lives and breathes."

To read the full review: click on UKVIBE or on the pdf document to the right.

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"There’s an out-of-reach and enigmatic quality to Sea of Stories which keeps you drawing back into its music. A dream-like visual sensibility and the warmth of its harmonies give the music a physicality which virtually lives and breathes."

To read the full review: click on UKVIBE or on the pdf document to the right.

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"There’s an out-of-reach and enigmatic quality to Sea of Stories which keeps you drawing back into its music. A dream-like visual sensibility and the warmth of its harmonies give the music a physicality which virtually lives and breathes."

To read the full review: click on UKVIBE or on the pdf document to the right.

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3'Ain newsflash at Musiczine.net. Check it out here!

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3'Ain newsflash at Musiczine.net. Check it out here!

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3'Ain newsflash at Musiczine.net. Check it out here!

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"Yamen blends western and eastern sounds with his trumpet, just as Otto provides the necessary depth on his self-assembled double bass. Maris then creates a gipsy-esque atmosphere with his accordion." To read the full review: click on Keys and Chords or on the pdf document to the right (Deutch).

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"Yamen blends western and eastern sounds with his trumpet, just as Otto provides the necessary depth on his self-assembled double bass. Maris then creates a gipsy-esque atmosphere with his accordion." To read the full review: click on Keys and Chords or on the pdf document to the right (Deutch).

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"Yamen blends western and eastern sounds with his trumpet, just as Otto provides the necessary depth on his self-assembled double bass. Maris then creates a gipsy-esque atmosphere with his accordion." To read the full review: click on Keys and Chords or on the pdf document to the right (Deutch).

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"the trio have recorded a set of impressive instrumentals that match jazz with echoes of the global influences"

Robin Denselow gives 3 stars to 3'Ain's album Sea Of Stories! To read the full review: click on Songlines or on the pdf document to the right.

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"the trio have recorded a set of impressive instrumentals that match jazz with echoes of the global influences"

Robin Denselow gives 3 stars to 3'Ain's album Sea Of Stories! To read the full review: click on Songlines or on the pdf document to the right.

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"the trio have recorded a set of impressive instrumentals that match jazz with echoes of the global influences"

Robin Denselow gives 3 stars to 3'Ain's album Sea Of Stories! To read the full review: click on Songlines or on the pdf document to the right.

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Yeay! 3'Ain, Mec Yek & Jaune Toujours on the longlist for selection towards the Belgian Worldwide Music Network Showcases, end of January 2023 at club AB - Ancienne Belgique !

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Yeay! 3'Ain, Mec Yek & Jaune Toujours on the longlist for selection towards the Belgian Worldwide Music Network Showcases, end of January 2023 at club AB - Ancienne Belgique !

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Yeay! 3'Ain, Mec Yek & Jaune Toujours on the longlist for selection towards the Belgian Worldwide Music Network Showcases, end of January 2023 at club AB - Ancienne Belgique !

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"Zu hΓΆren sind vor allem schΓΆne, langsame Trompetenmelodien, geprΓ€gt vom arabischen Raum mit manchmal Musette Γ€hnlichem Akkordeon und der bass schlenzt gegen melodien darunter."

"You can hear mainly beautiful slow trumpet melodies , influenced by the Arabic region with sometimes musette-like accordion and the bass flicks against melodies underneath." To read the full review: click on Musik Global or view photo.

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"Zu hΓΆren sind vor allem schΓΆne, langsame Trompetenmelodien, geprΓ€gt vom arabischen Raum mit manchmal Musette Γ€hnlichem Akkordeon und der bass schlenzt gegen melodien darunter."

"You can hear mainly beautiful slow trumpet melodies , influenced by the Arabic region with sometimes musette-like accordion and the bass flicks against melodies underneath." To read the full review: click on Musik Global or view photo.

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"Zu hΓΆren sind vor allem schΓΆne, langsame Trompetenmelodien, geprΓ€gt vom arabischen Raum mit manchmal Musette Γ€hnlichem Akkordeon und der bass schlenzt gegen melodien darunter."

"You can hear mainly beautiful slow trumpet melodies , influenced by the Arabic region with sometimes musette-like accordion and the bass flicks against melodies underneath." To read the full review: click on Musik Global or view photo.

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"Dit is een zeer interessante eerste EP, zeker de moeite waard om live te bekijken."

"This makes for a very interesting first EP, definitely worth checking out live" Nicolas Van Belle wrote a very nice 3'Ain review for Luminous Dash Musiczine. Check out his review (in Dutch) on their website or by clicking on the document on the right.

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"Dit is een zeer interessante eerste EP, zeker de moeite waard om live te bekijken."

"This makes for a very interesting first EP, definitely worth checking out live" Nicolas Van Belle wrote a very nice 3'Ain review for Luminous Dash Musiczine. Check out his review (in Dutch) on their website or by clicking on the document on the right.

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"Dit is een zeer interessante eerste EP, zeker de moeite waard om live te bekijken."

"This makes for a very interesting first EP, definitely worth checking out live" Nicolas Van Belle wrote a very nice 3'Ain review for Luminous Dash Musiczine. Check out his review (in Dutch) on their website or by clicking on the document on the right.

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"Samen maken ze onweerstaanbare wereldfusie, multiculturele muziek die laat horen dat waar werelden bij elkaar komen de wereld meteen een stukje rijker en mooier wordt. Muziek om een bijzonder goed humeur van te krijgen."

β€œTogether they make irresistible world fusion, multicultural music that shows that where worlds come together, the world immediately becomes a little richer and more beautiful. Music to put you in a particularly good mood.” To read the full review: click on Moors Magazine or on the pdf document to the right (Deutch).

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"Samen maken ze onweerstaanbare wereldfusie, multiculturele muziek die laat horen dat waar werelden bij elkaar komen de wereld meteen een stukje rijker en mooier wordt. Muziek om een bijzonder goed humeur van te krijgen."

β€œTogether they make irresistible world fusion, multicultural music that shows that where worlds come together, the world immediately becomes a little richer and more beautiful. Music to put you in a particularly good mood.” To read the full review: click on Moors Magazine or on the pdf document to the right (Deutch).

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"Samen maken ze onweerstaanbare wereldfusie, multiculturele muziek die laat horen dat waar werelden bij elkaar komen de wereld meteen een stukje rijker en mooier wordt. Muziek om een bijzonder goed humeur van te krijgen."

β€œTogether they make irresistible world fusion, multicultural music that shows that where worlds come together, the world immediately becomes a little richer and more beautiful. Music to put you in a particularly good mood.” To read the full review: click on Moors Magazine or on the pdf document to the right (Deutch).

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β€œthe Syrian-Belgian trio’s blend of Western and Eastern sounds is as immersive a set of contemporary jazz as you’ll hear this year”

Thank you Simon Rowland and RnR Magazine for telling us to make longer albums You can read it in full on the pdf document to the right !

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β€œthe Syrian-Belgian trio’s blend of Western and Eastern sounds is as immersive a set of contemporary jazz as you’ll hear this year”

Thank you Simon Rowland and RnR Magazine for telling us to make longer albums You can read it in full on the pdf document to the right !

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β€œthe Syrian-Belgian trio’s blend of Western and Eastern sounds is as immersive a set of contemporary jazz as you’ll hear this year”

Thank you Simon Rowland and RnR Magazine for telling us to make longer albums You can read it in full on the pdf document to the right !

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3'ain is recording new songs at the studio of De Grote Post in Ostend. Exciting news will soon be arriving !

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3'ain is recording new songs at the studio of De Grote Post in Ostend. Exciting news will soon be arriving !

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3'ain is recording new songs at the studio of De Grote Post in Ostend. Exciting news will soon be arriving !

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"Von jazzigen klΓ€ngen ΓΌber orientalische Motive zu Anspielungen auf Tango. Eher langsam, mit grosser Ruhe Beinahe ton fΓΌr ton umgesetzt. Faszinierend, wie viel mehr sehr wenig sein kann."

"From jazzy sounds to oriental motifs to allusions to tango. Rather slowly, with great tranquility almost implemented tone for tone. Fascinating how much more can be very little." To read the full review: click on Ohrenschmauch or view photo.

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"Von jazzigen klΓ€ngen ΓΌber orientalische Motive zu Anspielungen auf Tango. Eher langsam, mit grosser Ruhe Beinahe ton fΓΌr ton umgesetzt. Faszinierend, wie viel mehr sehr wenig sein kann."

"From jazzy sounds to oriental motifs to allusions to tango. Rather slowly, with great tranquility almost implemented tone for tone. Fascinating how much more can be very little." To read the full review: click on Ohrenschmauch or view photo.

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"Von jazzigen klΓ€ngen ΓΌber orientalische Motive zu Anspielungen auf Tango. Eher langsam, mit grosser Ruhe Beinahe ton fΓΌr ton umgesetzt. Faszinierend, wie viel mehr sehr wenig sein kann."

"From jazzy sounds to oriental motifs to allusions to tango. Rather slowly, with great tranquility almost implemented tone for tone. Fascinating how much more can be very little." To read the full review: click on Ohrenschmauch or view photo.

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"... Verbasterd en onzuiver maar met een directheid en een gevoelswaarde om u tegen te zeggen."

"... corrupted and impure but with a directness and emotional value to say the least." Thank you Georges Tonla Briquet and Jazzenzo Jazzmagazine for the beautiful review of our debut EP 3'Ain. β€²β€²Describing the debut disc '3'Ain' as crossover would be an easy solution without putting everything into context. For the five compositions, the trio borrowed style elements and motifs from both Western and Eastern circles. A subtle cocktail of merges, as jazz can be. With accordion, trumpet and double bass they tentatively test a (limited) number of possibilities. Swing is missing, improvisation and blues on the other hand partly determine the main colour but following to the Maris method. And that means corrupted and impure but with a directness and emotional value to say the least..." Read the full text (in Dutch) here

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"... Verbasterd en onzuiver maar met een directheid en een gevoelswaarde om u tegen te zeggen."

"... corrupted and impure but with a directness and emotional value to say the least." Thank you Georges Tonla Briquet and Jazzenzo Jazzmagazine for the beautiful review of our debut EP 3'Ain. β€²β€²Describing the debut disc '3'Ain' as crossover would be an easy solution without putting everything into context. For the five compositions, the trio borrowed style elements and motifs from both Western and Eastern circles. A subtle cocktail of merges, as jazz can be. With accordion, trumpet and double bass they tentatively test a (limited) number of possibilities. Swing is missing, improvisation and blues on the other hand partly determine the main colour but following to the Maris method. And that means corrupted and impure but with a directness and emotional value to say the least..." Read the full text (in Dutch) here

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"... Verbasterd en onzuiver maar met een directheid en een gevoelswaarde om u tegen te zeggen."

"... corrupted and impure but with a directness and emotional value to say the least." Thank you Georges Tonla Briquet and Jazzenzo Jazzmagazine for the beautiful review of our debut EP 3'Ain. β€²β€²Describing the debut disc '3'Ain' as crossover would be an easy solution without putting everything into context. For the five compositions, the trio borrowed style elements and motifs from both Western and Eastern circles. A subtle cocktail of merges, as jazz can be. With accordion, trumpet and double bass they tentatively test a (limited) number of possibilities. Swing is missing, improvisation and blues on the other hand partly determine the main colour but following to the Maris method. And that means corrupted and impure but with a directness and emotional value to say the least..." Read the full text (in Dutch) here

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"Avec ce Β« Sea of Stories Β» rΓ©dempteur, les danseurs se lamenteront aux sons d’un tango dΓ©solant et se trΓ©mousseront sur des valses tristes."

"With this redemptive "Sea of Stories", dancers will lament the sounds of a desolate tango and sway to sad waltzes." To read the full article: click on Jazz Mania or on the pdf document on the right (French).

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"Avec ce Β« Sea of Stories Β» rΓ©dempteur, les danseurs se lamenteront aux sons d’un tango dΓ©solant et se trΓ©mousseront sur des valses tristes."

"With this redemptive "Sea of Stories", dancers will lament the sounds of a desolate tango and sway to sad waltzes." To read the full article: click on Jazz Mania or on the pdf document on the right (French).

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"Avec ce Β« Sea of Stories Β» rΓ©dempteur, les danseurs se lamenteront aux sons d’un tango dΓ©solant et se trΓ©mousseront sur des valses tristes."

"With this redemptive "Sea of Stories", dancers will lament the sounds of a desolate tango and sway to sad waltzes." To read the full article: click on Jazz Mania or on the pdf document on the right (French).

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This is huge! 3'Ain's new single OUFTI made it to the Spot On playlist. Curated by Gunter Van Assche for daily newspaper De Morgen. Celebrate with them by sharing the news & listen to the playlist

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This is huge! 3'Ain's new single OUFTI made it to the Spot On playlist. Curated by Gunter Van Assche for daily newspaper De Morgen. Celebrate with them by sharing the news & listen to the playlist

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This is huge! 3'Ain's new single OUFTI made it to the Spot On playlist. Curated by Gunter Van Assche for daily newspaper De Morgen. Celebrate with them by sharing the news & listen to the playlist

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"Une trompette, un accordΓ©on, une basse et voilΓ  des histoires en pleine mer"

"A trumpet, an accordion, a bass et voilΓ : stories in full sea" Jean-Claude Vantroyen gives 4 stars to the album Sea of Stories by 3'Ain in Le Soir: To read the full review: click on the pdf document to the right.

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"Une trompette, un accordΓ©on, une basse et voilΓ  des histoires en pleine mer"

"A trumpet, an accordion, a bass et voilΓ : stories in full sea" Jean-Claude Vantroyen gives 4 stars to the album Sea of Stories by 3'Ain in Le Soir: To read the full review: click on the pdf document to the right.

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"Une trompette, un accordΓ©on, une basse et voilΓ  des histoires en pleine mer"

"A trumpet, an accordion, a bass et voilΓ : stories in full sea" Jean-Claude Vantroyen gives 4 stars to the album Sea of Stories by 3'Ain in Le Soir: To read the full review: click on the pdf document to the right.

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"Arabische Melodien treffen auf Musette-Artige AkkordeonklΓ€nge und Contemporary Jazz."

"Arabic melodies meet musette-like accordion sounds and contemporary jazz. " To read the full review: click on inMusic - Rezension or view photo.

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"Arabische Melodien treffen auf Musette-Artige AkkordeonklΓ€nge und Contemporary Jazz."

"Arabic melodies meet musette-like accordion sounds and contemporary jazz. " To read the full review: click on inMusic - Rezension or view photo.

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"Arabische Melodien treffen auf Musette-Artige AkkordeonklΓ€nge und Contemporary Jazz."

"Arabic melodies meet musette-like accordion sounds and contemporary jazz. " To read the full review: click on inMusic - Rezension or view photo.

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"Ce qui est intΓ©ressant dans ce groupe, c'est le mΓ©lange subtil d'ingrΓ©dients provenant de toute la rΓ©gion mΓ©diterranΓ©enne"

"That's what's interesting about this group, this subtle mix of ingredients from the four corners of the Mediterranean" Jacques Prouvost from Jazz blog JAZZQUES really enjoyed 3'Ain at Brosella XXS festival. Read his full review (in French) on his JAZZQUES blog.

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"Ce qui est intΓ©ressant dans ce groupe, c'est le mΓ©lange subtil d'ingrΓ©dients provenant de toute la rΓ©gion mΓ©diterranΓ©enne"

"That's what's interesting about this group, this subtle mix of ingredients from the four corners of the Mediterranean" Jacques Prouvost from Jazz blog JAZZQUES really enjoyed 3'Ain at Brosella XXS festival. Read his full review (in French) on his JAZZQUES blog.

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"Ce qui est intΓ©ressant dans ce groupe, c'est le mΓ©lange subtil d'ingrΓ©dients provenant de toute la rΓ©gion mΓ©diterranΓ©enne"

"That's what's interesting about this group, this subtle mix of ingredients from the four corners of the Mediterranean" Jacques Prouvost from Jazz blog JAZZQUES really enjoyed 3'Ain at Brosella XXS festival. Read his full review (in French) on his JAZZQUES blog.

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"De combinatie van deze drie instrumenten en de muziek die ze brengen op Sea of Stories - een kruisbestuiving van jazz en geluiden uit de Balkan, het Middenoosten en de MΓ©diterranΓ©e - stuurde me meteen op een muzikale herontdekkingstocht."

"The combination of these three instruments and the music they bring to Sea of Stories - a cross-pollination of jazz and sounds from the Balkans, the Middle East and the MΓ©diterranΓ©e - immediately sent me on a musical rediscovery journey." To read the full review: click on Stereotype or on the pdf document to the right (Dutch).

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"De combinatie van deze drie instrumenten en de muziek die ze brengen op Sea of Stories - een kruisbestuiving van jazz en geluiden uit de Balkan, het Middenoosten en de MΓ©diterranΓ©e - stuurde me meteen op een muzikale herontdekkingstocht."

"The combination of these three instruments and the music they bring to Sea of Stories - a cross-pollination of jazz and sounds from the Balkans, the Middle East and the MΓ©diterranΓ©e - immediately sent me on a musical rediscovery journey." To read the full review: click on Stereotype or on the pdf document to the right (Dutch).

View this news item
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"De combinatie van deze drie instrumenten en de muziek die ze brengen op Sea of Stories - een kruisbestuiving van jazz en geluiden uit de Balkan, het Middenoosten en de MΓ©diterranΓ©e - stuurde me meteen op een muzikale herontdekkingstocht."

"The combination of these three instruments and the music they bring to Sea of Stories - a cross-pollination of jazz and sounds from the Balkans, the Middle East and the MΓ©diterranΓ©e - immediately sent me on a musical rediscovery journey." To read the full review: click on Stereotype or on the pdf document to the right (Dutch).

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Van het beste dat er sinds Sexual Healing uit Oostende kwam.

"Of the best that came from Ostend since Sexual Healing." A first raving review (in Dutch) of 3'Ain's debut EP! Jordi De Beule wrote the first review of our EP for Jazz & Mo' "Anyone who has listened to Khaltoum by Ibrahim Maalouf in a loop by now, will surely enjoy the Middle Eastern jazz of 3'Ain. For what a pleasure it is to hear the Syrian trumpeter Yamen Martini! In 2015 he arrived in Belgium and there he quickly crossed the path of Piet Maris. Since then, the two have worked together several times and when the opportunity arose for a residency in the Ostend arts workshop O.666, they immediately drummed up Otto Kint. The result is an EP full of atmosphere. Inspired by the view of the harbour, the opening song, originally written for a short film, gets a firm dose of sailor's grief. And also other songs are often drawn by what the Portuguese call so beautifully saudade. The boats after which songs like Njord Puffin are named, you can almost hear them creaking and you can see them sailing towards the wide sea - giving and taking. Thanks to a flawless recording, we get all the subtleties of the interplay of this trio: the full bass sound of Kint, the swelling and dying movements of Maris, the copper breath of Martini. How the latter pierces the silence, at times even reminds us of SoleΓ‘ by Miles Davis, to name a big shot. Of the best that came from Ostend since Sexual Healing." Read the review (in Dutch) on the Jazz&Mo' website

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Van het beste dat er sinds Sexual Healing uit Oostende kwam.

"Of the best that came from Ostend since Sexual Healing." A first raving review (in Dutch) of 3'Ain's debut EP! Jordi De Beule wrote the first review of our EP for Jazz & Mo' "Anyone who has listened to Khaltoum by Ibrahim Maalouf in a loop by now, will surely enjoy the Middle Eastern jazz of 3'Ain. For what a pleasure it is to hear the Syrian trumpeter Yamen Martini! In 2015 he arrived in Belgium and there he quickly crossed the path of Piet Maris. Since then, the two have worked together several times and when the opportunity arose for a residency in the Ostend arts workshop O.666, they immediately drummed up Otto Kint. The result is an EP full of atmosphere. Inspired by the view of the harbour, the opening song, originally written for a short film, gets a firm dose of sailor's grief. And also other songs are often drawn by what the Portuguese call so beautifully saudade. The boats after which songs like Njord Puffin are named, you can almost hear them creaking and you can see them sailing towards the wide sea - giving and taking. Thanks to a flawless recording, we get all the subtleties of the interplay of this trio: the full bass sound of Kint, the swelling and dying movements of Maris, the copper breath of Martini. How the latter pierces the silence, at times even reminds us of SoleΓ‘ by Miles Davis, to name a big shot. Of the best that came from Ostend since Sexual Healing." Read the review (in Dutch) on the Jazz&Mo' website

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Van het beste dat er sinds Sexual Healing uit Oostende kwam.

"Of the best that came from Ostend since Sexual Healing." A first raving review (in Dutch) of 3'Ain's debut EP! Jordi De Beule wrote the first review of our EP for Jazz & Mo' "Anyone who has listened to Khaltoum by Ibrahim Maalouf in a loop by now, will surely enjoy the Middle Eastern jazz of 3'Ain. For what a pleasure it is to hear the Syrian trumpeter Yamen Martini! In 2015 he arrived in Belgium and there he quickly crossed the path of Piet Maris. Since then, the two have worked together several times and when the opportunity arose for a residency in the Ostend arts workshop O.666, they immediately drummed up Otto Kint. The result is an EP full of atmosphere. Inspired by the view of the harbour, the opening song, originally written for a short film, gets a firm dose of sailor's grief. And also other songs are often drawn by what the Portuguese call so beautifully saudade. The boats after which songs like Njord Puffin are named, you can almost hear them creaking and you can see them sailing towards the wide sea - giving and taking. Thanks to a flawless recording, we get all the subtleties of the interplay of this trio: the full bass sound of Kint, the swelling and dying movements of Maris, the copper breath of Martini. How the latter pierces the silence, at times even reminds us of SoleΓ‘ by Miles Davis, to name a big shot. Of the best that came from Ostend since Sexual Healing." Read the review (in Dutch) on the Jazz&Mo' website

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"Het album bevat 7 nummers waarin het solospel van de trompet vaak centraal staat, dat regelmatig wordt vastgeklonken aan de accordeon."

"The album contains 7 songs that often focus on the solo playing of the trumpet, which is frequently riveted to the accordion." BjΓΆrn Comhaire about the album Sea of Stories by 3'Ain at Luminous Dash: "The album contains seven tracks that often center on the solo playing of the trumpet, which is frequently riveted to the accordion. The melodic double bass lines are the glue that holds the two together and puts a soothing salve over (or under) the reed and wind instrument."

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"Het album bevat 7 nummers waarin het solospel van de trompet vaak centraal staat, dat regelmatig wordt vastgeklonken aan de accordeon."

"The album contains 7 songs that often focus on the solo playing of the trumpet, which is frequently riveted to the accordion." BjΓΆrn Comhaire about the album Sea of Stories by 3'Ain at Luminous Dash: "The album contains seven tracks that often center on the solo playing of the trumpet, which is frequently riveted to the accordion. The melodic double bass lines are the glue that holds the two together and puts a soothing salve over (or under) the reed and wind instrument."

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"Het album bevat 7 nummers waarin het solospel van de trompet vaak centraal staat, dat regelmatig wordt vastgeklonken aan de accordeon."

"The album contains 7 songs that often focus on the solo playing of the trumpet, which is frequently riveted to the accordion." BjΓΆrn Comhaire about the album Sea of Stories by 3'Ain at Luminous Dash: "The album contains seven tracks that often center on the solo playing of the trumpet, which is frequently riveted to the accordion. The melodic double bass lines are the glue that holds the two together and puts a soothing salve over (or under) the reed and wind instrument."

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"Ein wunderbares Album! Da kann man nur schweigen und sagen: HΓΆren Sie selbst. Ein Hauch von Musik, die voll und ganz den Anspruch erhebt, Kunst zu sein, und die mit ihrer Essenz die zartesten Saiten der Empfindsamkeit berΓΌhren wird."

"A wonderful album! One can only remain silent and say: listen for yourself. A touch of music that fully claims to be art and that with its essence will touch the most delicate strings of sensibility." To read the full review: click on Jazz Fun or on the pdf document to the right.(German)

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"Ein wunderbares Album! Da kann man nur schweigen und sagen: HΓΆren Sie selbst. Ein Hauch von Musik, die voll und ganz den Anspruch erhebt, Kunst zu sein, und die mit ihrer Essenz die zartesten Saiten der Empfindsamkeit berΓΌhren wird."

"A wonderful album! One can only remain silent and say: listen for yourself. A touch of music that fully claims to be art and that with its essence will touch the most delicate strings of sensibility." To read the full review: click on Jazz Fun or on the pdf document to the right.(German)

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"Ein wunderbares Album! Da kann man nur schweigen und sagen: HΓΆren Sie selbst. Ein Hauch von Musik, die voll und ganz den Anspruch erhebt, Kunst zu sein, und die mit ihrer Essenz die zartesten Saiten der Empfindsamkeit berΓΌhren wird."

"A wonderful album! One can only remain silent and say: listen for yourself. A touch of music that fully claims to be art and that with its essence will touch the most delicate strings of sensibility." To read the full review: click on Jazz Fun or on the pdf document to the right.(German)

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This Belgium-based trio's five-track EP is boosted by the moodily animated presence of the scintillating Syrian trumpeter Yamen Martini

Leading UK jazz magazine Jazzwise gave 3'Ain's debut EP 3 stars! " This Belgium-based trio's five-track EP is boosted by the moodily animated presence of the scintillating Syrian trumpeter Yamen Martini; otherwise it's an engaging mix of Arabic-inflected melody, accordion-based Musette, Tango and improv."

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This Belgium-based trio's five-track EP is boosted by the moodily animated presence of the scintillating Syrian trumpeter Yamen Martini

Leading UK jazz magazine Jazzwise gave 3'Ain's debut EP 3 stars! " This Belgium-based trio's five-track EP is boosted by the moodily animated presence of the scintillating Syrian trumpeter Yamen Martini; otherwise it's an engaging mix of Arabic-inflected melody, accordion-based Musette, Tango and improv."

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This Belgium-based trio's five-track EP is boosted by the moodily animated presence of the scintillating Syrian trumpeter Yamen Martini

Leading UK jazz magazine Jazzwise gave 3'Ain's debut EP 3 stars! " This Belgium-based trio's five-track EP is boosted by the moodily animated presence of the scintillating Syrian trumpeter Yamen Martini; otherwise it's an engaging mix of Arabic-inflected melody, accordion-based Musette, Tango and improv."

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"Sometimes, perfection can arise out of the stirring together of contrasting genres and β€˜Sea Of Stories’ by the Syrian / Belgian trio 3’Ain is one such success."

Justin Turford gives 9.5/10 to 3'Ain's album Sea Of Stories! To read the full review: click on Truth & Lies or on the pdf document to the right.

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"Sometimes, perfection can arise out of the stirring together of contrasting genres and β€˜Sea Of Stories’ by the Syrian / Belgian trio 3’Ain is one such success."

Justin Turford gives 9.5/10 to 3'Ain's album Sea Of Stories! To read the full review: click on Truth & Lies or on the pdf document to the right.

View this news item
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"Sometimes, perfection can arise out of the stirring together of contrasting genres and β€˜Sea Of Stories’ by the Syrian / Belgian trio 3’Ain is one such success."

Justin Turford gives 9.5/10 to 3'Ain's album Sea Of Stories! To read the full review: click on Truth & Lies or on the pdf document to the right.

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You may be pleasantly surprised!

The highly influential Jazz blog 'Bebop Spoken Here' honoured us with the first 3'Ain review from the UK. Have a look at their website!

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You may be pleasantly surprised!

The highly influential Jazz blog 'Bebop Spoken Here' honoured us with the first 3'Ain review from the UK. Have a look at their website!

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You may be pleasantly surprised!

The highly influential Jazz blog 'Bebop Spoken Here' honoured us with the first 3'Ain review from the UK. Have a look at their website!

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"Une poésie foncièrement belge, sans aucun doute, d'une liberté réjouissante".

"A fundamentally Belgian poetry, without doubt, with a delightful freedom". Citizen Jazz on the first EP of 3'Ain in Citizen Jazz: "3'Ain is a more dreamlike project, with influences from folklore that can be described as imaginary, so vast is the map of tenderness (...) A fundamentally Belgian poetry, without doubt, with a delightful freedom."

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"Une poésie foncièrement belge, sans aucun doute, d'une liberté réjouissante".

"A fundamentally Belgian poetry, without doubt, with a delightful freedom". Citizen Jazz on the first EP of 3'Ain in Citizen Jazz: "3'Ain is a more dreamlike project, with influences from folklore that can be described as imaginary, so vast is the map of tenderness (...) A fundamentally Belgian poetry, without doubt, with a delightful freedom."

View this news item
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"Une poésie foncièrement belge, sans aucun doute, d'une liberté réjouissante".

"A fundamentally Belgian poetry, without doubt, with a delightful freedom". Citizen Jazz on the first EP of 3'Ain in Citizen Jazz: "3'Ain is a more dreamlike project, with influences from folklore that can be described as imaginary, so vast is the map of tenderness (...) A fundamentally Belgian poetry, without doubt, with a delightful freedom."

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β€œThere is a breath of a breeze, a spicy taste of the East and the hardness of coastal stones scattered here and there”

Thank you Selected goosebumps for this eloquent and poetic review ! Read it HERE or on the pdf document to the right.

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β€œThere is a breath of a breeze, a spicy taste of the East and the hardness of coastal stones scattered here and there”

Thank you Selected goosebumps for this eloquent and poetic review ! Read it HERE or on the pdf document to the right.

View this news item
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β€œThere is a breath of a breeze, a spicy taste of the East and the hardness of coastal stones scattered here and there”

Thank you Selected goosebumps for this eloquent and poetic review ! Read it HERE or on the pdf document to the right.

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Like the name, the music requires effort, but the beautifully crisp, clean and atmospheric playing does indeed repay that effort.

A great 3-star review of 3'Ain's debut EP by Norman Darwen in the English RnR Magazine! Read the full review by clicking the link on the right.

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Like the name, the music requires effort, but the beautifully crisp, clean and atmospheric playing does indeed repay that effort.

A great 3-star review of 3'Ain's debut EP by Norman Darwen in the English RnR Magazine! Read the full review by clicking the link on the right.

View this news item
Afbeelding
logoRnR.jpg

Like the name, the music requires effort, but the beautifully crisp, clean and atmospheric playing does indeed repay that effort.

A great 3-star review of 3'Ain's debut EP by Norman Darwen in the English RnR Magazine! Read the full review by clicking the link on the right.

View this news item
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3'Ain's Yamen Martini and Piet Maris were on Music Matters, radio Klara (VRT). They talked with Olav Grondelaers about the new album SEA OF STORIES. And if you want, you can relisten (in Dutch): https://klara.be/luister/select/music-matters/sea-of-stories-van-3ain pictures by Dries Pauwels (radio Klara) and Piet Maris

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3'Ain's Yamen Martini and Piet Maris were on Music Matters, radio Klara (VRT). They talked with Olav Grondelaers about the new album SEA OF STORIES. And if you want, you can relisten (in Dutch): https://klara.be/luister/select/music-matters/sea-of-stories-van-3ain pictures by Dries Pauwels (radio Klara) and Piet Maris

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3'Ain's Yamen Martini and Piet Maris were on Music Matters, radio Klara (VRT). They talked with Olav Grondelaers about the new album SEA OF STORIES. And if you want, you can relisten (in Dutch): https://klara.be/luister/select/music-matters/sea-of-stories-van-3ain pictures by Dries Pauwels (radio Klara) and Piet Maris

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Big thanks to Concert Monkey for featuring the new 3'Ain EP! Check out concertmonkey.be to read their feature.

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Big thanks to Concert Monkey for featuring the new 3'Ain EP! Check out concertmonkey.be to read their feature.

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Big thanks to Concert Monkey for featuring the new 3'Ain EP! Check out concertmonkey.be to read their feature.

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"Een ontmoeting van oosterse melancholie, westerse zeemansliederen en universele jazzklanken."

"An encounter of Eastern melancholy, Western sea shanties and universal jazz sounds." To read the full review: click on Da Music Magazine of on the pdf document to the right

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"Een ontmoeting van oosterse melancholie, westerse zeemansliederen en universele jazzklanken."

"An encounter of Eastern melancholy, Western sea shanties and universal jazz sounds." To read the full review: click on Da Music Magazine of on the pdf document to the right

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"Een ontmoeting van oosterse melancholie, westerse zeemansliederen en universele jazzklanken."

"An encounter of Eastern melancholy, Western sea shanties and universal jazz sounds." To read the full review: click on Da Music Magazine of on the pdf document to the right

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"Ihre ΓΌberwiegend nachdenkliche Kammermusik bewegt sich zwischen sensibler Melancholie und Melodieseligkeit, grift Walzer und Tango auf und gefΓ€llt in ihrer Unbestimmtheit zwischen folkloristischer Anmutung und der Offenheit des Jazz"

"Their predominantly thoughtful chamber music moves between sensitive melancholy and blissful melody, takes up waltz and tango and pleases with its being indetermined, between folkloristic impression and the openness of jazz" Thank you JAZZTHETIK Magazin for this review ! Read it on the pdf document to the right.(German)

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"Ihre ΓΌberwiegend nachdenkliche Kammermusik bewegt sich zwischen sensibler Melancholie und Melodieseligkeit, grift Walzer und Tango auf und gefΓ€llt in ihrer Unbestimmtheit zwischen folkloristischer Anmutung und der Offenheit des Jazz"

"Their predominantly thoughtful chamber music moves between sensitive melancholy and blissful melody, takes up waltz and tango and pleases with its being indetermined, between folkloristic impression and the openness of jazz" Thank you JAZZTHETIK Magazin for this review ! Read it on the pdf document to the right.(German)

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"Ihre ΓΌberwiegend nachdenkliche Kammermusik bewegt sich zwischen sensibler Melancholie und Melodieseligkeit, grift Walzer und Tango auf und gefΓ€llt in ihrer Unbestimmtheit zwischen folkloristischer Anmutung und der Offenheit des Jazz"

"Their predominantly thoughtful chamber music moves between sensitive melancholy and blissful melody, takes up waltz and tango and pleases with its being indetermined, between folkloristic impression and the openness of jazz" Thank you JAZZTHETIK Magazin for this review ! Read it on the pdf document to the right.(German)

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